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  • Andy Warhol, Camouflage (Pink), 1987. Screenprint in colours on Lenox Museum Board, 38 × 38 in. Abstract camouflage pattern in hot pink, crimson and orange. From the Camouflage portfolio, edition of 80. Printed by Rupert Jasen Smith, New York. Presented i
    Camouflage (Pink)
    Andy Warhol, Camouflage (Pink), 1987
    58,000.00
  • Banksy, Di-Faced Tenner, 2004. Offset lithograph on paper, 7.5 × 14.5 cm. Counterfeit ten-pound note with portrait of Princess Diana replacing Queen Elizabeth II, issued by the Banksy of England with the motto Trust No One. Distributed by the artist 2004.
    Di-Faced Tenner
    Banksy, Di-Faced Tenner, 2004
    2,950.00
  • Banksy, Grannies, 2006. Two-colour screenprint on Arches 88 wove paper, 575 × 767 mm sheet. Two elderly women seated knitting, wearing jumpers with the slogans Thug For Life and Punks Not Dead. Numbered from the unsigned edition of 500, with Pictures on W
    Grannies (Unsigned)
    Banksy, Grannies (Unsigned), 2006
    12,000.00
  • Banksy, Queen Vic, 2003. Screenprint in colours on wove paper, 700 × 501 mm sheet. Queen Victoria depicted in a posture of satirical irreverence. Numbered from the unsigned edition of 500, published by Pictures on Walls, London. Accompanied by Pest Contro
    Queen Vic (Unsigned)
    Banksy, Queen Vic (Unsigned), 2003
    12,000.00
  • Auguste Marie Lauzet after Claude Monet, Paysage à Antibes, 1892. Etching in sanguine on cream laid paper. Delicate intaglio composition depicting coastal umbrella pines and Mediterranean shoreline rendered in warm reddish-brown ink. From L'Art impression
    Paysage à Antibes
    Claude Monet, Paysage à Antibes, 1892
    12,000.00
  • Pablo Picasso, Amours de Jupiter et de Sémélé, 1930, published 1931. Etching with remarques on Rives wove paper, cancelled plate suite of 100. Two embracing classical nude figures rendered in pure contour line, with additional small etched remarque figure
    Amours de Jupiter et de Sémélé (The Love of Jupiter and Semele)
    Pablo Picasso, Amours de Jupiter et de Sémélé (The Love of Jupiter and Semele), 1930
    7,950.00
  • Pablo Picasso, La Fosse Commune, 1947. Full sheet view. Etching on Arches wove paper with plate mark visible. Bloch 461.
    La Fosse Commune
    Pablo Picasso, La Fosse Commune, 1947
    7,950.00
  • Pablo Picasso, 4 Mai 1945, 1945. Engraving, second state, on wove paper. Three figure studies including profile, frontal portrait and classical standing nude, dated in the plate 4 Mai 1945. Printed by Lacourière, Paris.
    May 4 1945 (4 Mai 1945)
    Pablo Picasso, May 4 1945 (4 Mai 1945), 1945
    8,500.00
  • La Chevre-Feuille Suite | Set of 6 (Red)
    La Chevre-Feuille Suite | Set of 6 (Red)
    Pablo Picasso, La Chevre-Feuille Suite | Set of 6 (Red), 1943
    12,000.00
  • Pablo Picasso, zincograph from La Chèvre-Feuille, 1943. Surrealist figure composition in black ink on Lafuma wove paper, published by Robert-J. Godet, Paris. From the edition of 500.
    La Chevre-Feuille Suite | Set of 6 (Yellow)
    Pablo Picasso, La Chevre-Feuille Suite | Set of 6 (Yellow), 1943
    12,000.00
  • Pablo Picasso, Une Maja Posant sur un Piédestal, 1968. Sugarlift aquatint and etching on Richard-de-Bas laid paper with La Celestine watermark. Épreuve d'artiste. From the La Celestine suite, printed by Atelier Crommelynck, Paris. Image: 4.5 × 2.25 in (11
    Une Maja Posant sur un Piédestal
    Pablo Picasso, Une Maja Posant sur un Piédestal, 1968
    19,000.00
  • RETNA (Marquis Lewis), Untitled, circa 2012. Pastel on wove paper. Dense multi-colour abstract calligraphic composition in neon green, pink, red, blue, white, teal and yellow on warm brown wove paper ground. Diagonal gestural mark-making in RETNA's signat
    Untitled
    RETNA, Untitled, Circa 2012
    9,000.00
  • Richard Hambleton, Stop Sign, 2018. Giclée print on Hahnemühle Photo Rag 308gsm paper, 76 × 76 cm, edition of 75. Iconic red and white octagonal stop sign with gestural black Shadowman silhouette painted over the surface. Numbered from the edition in penc
    Stop Sign
    Richard Hambleton, Stop Sign, 2018
    3,950.00
  • Richard Hambleton, Double Shadow Head, Gold, 2016. Acrylic and metallic gold on canvas. Two gestural black Shadow Head silhouettes rendered in expressive splatter technique against a luminous gold ground. Original painting, Creed Gallery, Ascot.
    Double Shadow Head
    Richard Hambleton, Double Shadow Head
    75,000.00
  • Salvador Dalí, Pastorale, 1980. Etching and aquatint in colours on Japon paper. A dreamlike Surrealist landscape rendered in delicate intaglio linework and rich atmospheric tones, from the Historia de Don Quichotte de la Mancha suite. Hand-signed Artist's
    Pastorale
    Salvador Dali, Pastorale, 1980
    5,500.00
  • Andy Warhol, Sunset, 1972. Unique colour screenprint on wove paper presented in museum-grade frame. Hotel Marquette edition, numbered 93. From the total edition of 632 unique impressions. Creed Gallery, Ascot.
    Sunset Sold
  • Jean-Michel Basquiat, Dog Leg Study, 1982–83/2019. Screenprint on Somerset Satin paper, 56 × 76 cm. Diagrammatic composition comparing a dog's leg and human foot surrounded by skull figures, handwritten text, all-seeing eyes and cultural references includ
    Dog Leg Study Sold
  • Richard Hambleton, Shadow Head, oil on canvas, 45 × 74 cm. Gestural black silhouette head rendered in expressive splatter technique on light ground. Original painting presented in contemporary black conservation-grade frame, 60 × 90 cm. Creed Gallery, Asc
    Shadow Head Sold